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First off, my electric guitars are few these days but they do the job well. My Les Paul, Tele, Peavey Signature and Strat are all well represented in the projects I do. I am more of a single-coil, strat/tele, guy but I love me some Les Paul, too. The Peavey Guitar is WONDERFUL! It has that perfect balance between single-coil bite while simultaneously carrying the humbucker robustness and sustain. Don't ever dis Peavey in my presence until you have tried this guitar and the amp I will mention later.
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My pedals are all here to see. I have many drive boxes so I can dial in that perfect tone for certain tracks. I use a buffer at the front and George L's all the way through to the amps in another room. I have two other boards that I will mention at another time because those are the ones I travel and play live with.
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My amps are the Dr. Z Maz 18 NR 2-10 (right), Dr. Z-Z 28 2-10 (middle) and a Peavey Classic 50 4-10 (left). I like 10" speakers because they seem to produce the tone I need in recording, without the low-mid/ bass honk that usually gets dialed out anyway in the mix...(my story and I'm stickin' to it!)
I will talk about recording gear at another time. In that installment, I will write about my signal paths and the outboard gear I use. Suffice it to say, a .wav is a .wav is a .wav! When you use great cables, pres, mics (and placement), converters, intoned guitars, great amp settings and bone-tone, you will produce .wavs that will stand up and say, "Hello," in any mix. No one ever asks me, "Is that a ProTools or a Digital Performer .wav?" I'll keep you posted...
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