
Along the way she became a top-notch band leader enlisting the finest guitarists and side-men available: James Burton, Ricky Skaggs, Emory Gordy, Jr., Glen Hardin, Hank DeVito, Albert Lee, Rodney Crowell and Buddy Miller, just to name a few. In 1980, she came out with a bluegrass-oriented record called "Roses In the Snow." I was intrigued with a high tenor voice that was amply used throughout the recording. Searching for the person with "that voice" through reading the liner notes, I became aware, for the first time, of the brilliant Ricky Skaggs.
I have collected almost all of her records since then. Emmylou has taken a few creative "left turns" in her career, including the making of "Wrecking Ball" with producer Daniel Lanois (U2,Peter Gabriel). She was never a prolific songwriter herself, but soon ramped-up the writing of her own compositions after "Wrecking Ball." I consider Emmylou a master song-picker. Like her friend Linda Ronstadt, she has a keen ear for great songs--many times obscure--waiting to be brought to life through her stellar arrangements and beautiful vocal interpretations. Her song-picking and songwriting have fused to create excellent results on her most recent records.
Yesterday I bought her new record, "Hard Bargain." I was impressed with the songs and her contemporary approach to them (airy, wide-open and spacious mixes complementing her beautiful, and at times heartbreaking, lyrics). Sometimes I like to go back and enjoy the early recordings of Emmylou. The songs transport me to where, in 1981, I was horseback riding in the Canadian Rockies, just outside of Banff. Her music became a veritable soundtrack of my journey across Canada that summer. As I listen to the songs from "Hard Bargain," they are a perfect accompaniment to this rainy morning as I write and look out into a soggy, brilliantly green spring morning.
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